[Pushed too far, then. There’s no point faking anymore.]
Give me one good reason to believe you.
[Her fingers find something—a key, but a more familiar kind. It presses in sharp, thunderous—the lowest note of a piano.]
Or I leave you here to rot.
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[Pushed too far, then. There’s no point faking anymore.]
Give me one good reason to believe you.
[Her fingers find something—a key, but a more familiar kind. It presses in sharp, thunderous—the lowest note of a piano.]
Or I leave you here to rot.